From Interaction to Micro-Sociology: The Dual Clue of the Media Intervention into Art in Netherland and China
从互动到微观社会学：
荷兰／中国媒体介入艺术的双重线索
Curators/策展人: Heiner Holtappels, Li Zhenhua/李振华, Yan Xiaodong/颜晓东
Opening: April. 16th, 2011
展览开幕：2011年4月16日
Exhibition Duration: April 16th, 2011 – May. 31th, 2011
展览展期：2011年4月16日－5月31日
Artists/艺术家： Arno Coenen、Edwin van der Heide、Erwin Olaf、Marina Abramovic、Marnix de Nijs、Peter Leeuwerink、Julika Rudelius、Aaajiao/徐文恺、Li Lulu/李璐璐、Liao Wenfeng/廖文峰、Wang Luming + Wang Zhenfei/王鹿鸣+王振飞、Zheng Yunhan/郑云瀚
此项目希望呈现一个地缘上更加庞大的荷兰媒体艺术现象，以及与之相关的全球媒体艺术图景，作为对应的中国部分，将探索来自日常的／微观的／身体的媒体介入问题。此展览除了展出的作品之外还有大量录像艺术文献的呈现，横跨60年代以来的荷兰和自1988年之后的中国，是从身体／录像／DIY／互动／声音／视觉等等方面的一次交汇。
两地艺术家的共同参与和介入，可以为这一不同地缘的发展找到更多的共性和不同，这一项目还希望可以在更加社会化的话题上有所推进，而不仅仅是新媒体这一被限定的讨论中。我们更希望看到的不仅仅是追问新媒体是什么？而是去追问新媒体是不是当代艺术？新媒体是不是今日社会的必然？新媒体是不是就在你身边？
新媒体并不是创造隔膜和精英文化，新媒体应该是大众生活的部分，是重新理解今日世界的媒介和沟通方式，新媒体在不同文化语境中和文化背景下，有着不同的视觉和美学发展，但是在这个不断融合的世界文化中，新媒体却最好的消除了文化背景和文化差异所带来的壁垒，从一开始新媒体就是跨越国界的，一直在让我们思考关于不同领域的知识如何被勾联，其乐趣在于对不同领域知识的发现。很多参展艺术家从视觉文化、从媒介、从公共传媒的方法、从行为学、从微观的生命中有所发现，在对此的不断探索中，他们无疑走在了前沿。
This project is designed to present the Dutch media art phenomenon as geographically broader, as well as relevant to the global media art scene. Correspondingly, it also explores related daily/micro/body media interventions from the perspective of China. In addition to the artworks on display, the exhibition features a rich collection of video art documentary material from The Netherlands (from the 1960s to the present) and China (from 1988 to the present). It is a combination of a bodily, video, DIY, interactive, aural and visual experience.
The participation and intervention of artists from the two countries will help to define the similarities and differences in the developments on both sides. The project also looks forward to proposing issues of a more social nature, rather than simply the pre-defined discussion topics of new media. The question that we address is not only: What is new media? But also, more importantly, the following: Does new media belong to contemporary art? Is new media an inevitable trend of our current society? Is new media all around us?
New media is not about generating estrangement or creating an elite culture, but to become a part of daily life. It serves as a media and a way of communication to reinterpret the world today. New media has different visual and aesthetic developments under various cultural contexts. However, in the increasingly integrated world culture, new media eliminates the boundaries caused by cultural backgrounds and cultural differences to the largest extent. From the very beginning, new media is transnational, evoking thought on how knowledge across disciplines can interact. The interest lies in discovering knowledge in different fields. Many exhibited artists learn from visual culture, media, public media system, behavioral science and micro lives. They are exploiting the frontiers of their worlds.
主办机构/Organizer:
荷兰媒体艺术中心/Montevideo, 艺术 ISSUE PROJECTS/ART ISSUE PROJECTS, 锐艺文化有限公司/Rye Consulting Shanghai
赞助机构/Sponsor:
蒙德里安基金会/Mondriaan Foundation
支持机构/Support:
北京艺术实验室/Laboratory Art Beijing, 中央美术学院美术馆/CAFA Art Museum, 中央美术学院实验艺术系/Experimental Art Department of China Central Academy of Fine Arts
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正在展出：从互动到微观社会学：荷兰/
中国媒体介入艺术的双重线索
2011.4.16-2011.5.31
开幕：2011.4.16
CURRENT EXHIBITION:
From Interaction to Micro-Sociology:
The dual Thread of the Media intervention into Art in Netherland and China
2011.4.16-2011.5.31
OPENING:2011.4.16
韩之演当代空间已于2009年4月正式更名为 艺术ISSUE PROJECTS
HAN JI YUN Contemporary Space officially changed its name to ART ISSUE PROJECTS in April,2009.
