艺术档案 > 展览档案 > 展讯发布 > [北京]博而励画廊群展:文字,暂停

[北京]博而励画廊群展:文字,暂停

2015-07-04 09:36:28 来源: artda.cn 艺术档案 作者:artda

 

展览名称:文字,暂停
开幕时间:2015年7月4日16:00 — 19:00
展览时间:2015年7月4日—8月15日(周二至周六12:00 - 18:00)
展览地点:博而励画廊 - 北京朝阳区酒仙桥路二号院798艺术区706后街一号

文字,暂停

博而励画廊将于2015年7月4日,荣幸地呈现夏季群展“文字,暂停”,此次展览致力于把文字设定在文本叙述与语言媒介的双重关系中,通过艺术家对其语言、材料、叙述方式、所处语境进行视觉地引申,从而在不同的媒介发生中找寻其存在的路径。

文字是一种作为沟通、意会、叙述的语言形式与媒介工具。往往剥离其表意后,它的内在语义则会藏匿于另一种可读的语境中。此时,对“说什么、如何说”地控制使得文字的语言在贴近一种标准叙述时,也同时趋向某种权力,进而反应出其政治的位置。从文字的传播自由性来看,它逐渐从文本的语境渗透到社会空间的语境当中,除了作为一种可被叙述、传播的语言,它还承载着自身的视觉象形,整体基于语义、图像、书写的属性特质之上,派生出新的认知与叙述关系。

从艺术方法论的角度来看,应当把文字语言的落点放在文化、社会的进程当中进行探讨,追究其内在语义、形式地解构与图像地还原之间所产生的问题。并且,不同媒介对文字进行传播与消费的差异,构成了艺术对其解读、怀疑的重要介入途径。此次群展,文字被放置在普遍认知的层面,在面对今天看似开放的,已被提炼的,并报以尊重的语言境地,对其叙述、节奏存在的单一性提出质疑。展览透过艺术家对不同媒介地介入,去揭示文字在其视觉、话语、书写等不同语境之间进行情景渗透所推拟出的现象——文字经过图像化,对其进行理解,反而比通过表意进行理解更真实、更具针对性,这也是对比比皆是的概念的讽刺。这里的图像更像是在使用行为对文字做出回应,并不简单倾向于视觉。

张伟、马可鲁、冯国东的抽象作品在为文字提供一种书写时,其艺术追究的图像性对文字又进一步进行解构,回到文字作为象形的起源与书写之间潜在的“象”与“形”的关系;张培力的作品《标准翻译》,这种被数字时代强行提供的标准,是当今普遍存在的新的判断问题。其作品反应出文本在代替概念的语义进行发言时所产生的失衡:垄断的、一概而论的叙述在给我们提供知识时,又同时在剥夺我们的权利,这种政治性逐渐反应在整个带有传播性的对社会与文化地认知当中。

如果把文字本身的通俗易懂降到最低,那仅从艺术家廖国核与王卫的画面表象来看,都有这种通俗性,但区别在于:廖国核的绘画是利用在切身环境中出现的最为生活式的、流行式的文字与语言,去传达图像与文字之间的语意相关,同时语言又破坏了图像所传递的直白信息;王卫的《为什么》,则强调文字最初产生的功能性、宣传性语境在缺失之后的观看行为本身。

展览“文字,暂停”涵盖了一系列关于文字放在可观、可读的语境中对艺术的干预,重新把文字作为语言的认知推向了单一表象的另一面。

Text, Pause
Opening: July 4th, 2015 16:00-19:00
Exhibition Dates: July 4th  – August 15th, 2015
Gallery Hours: Tuesday - Saturday 12:00AM-18:00PM

Boers-Li Gallery is pleased to present the summer group exhibition "Text, Pause" on July 4, 2015. This exhibition aims to establish the dichotomous relationship between narrative text and the medium of language, and the artists' visual extensions through language, material, narrative mode and given contexts have discovered new paths in the various media the artworks manifest.

Text is a linguistic mode and medium for communication, meaning and narration, even once its superficial meaning is removed, it may still be found in certain decipherable contexts. "What to say and how to say it" suggest certain power as it approaches a standardized narrative, and thus, projecting a certain political position. The flexibility in the presentation of language allows language to transcend the textual reference to a social context, and as a language that can be narrated and disseminated, it also carries a visual form, based on these mantics, imagery and the writing qualities, engendering new understanding and narrative relations.

From the perspective of artistic methology, the inquiry into the questions produced inthe deconstruction and image restoration of the semantics and forms within the language, the focus on textual language should be considered within the process of cultural and social process. Moreover, due to the differences in dissemination and consumption of the artistic media, art may not provide the path of interpretation or skepticism. This group exhibition questions the singularity of language as it has been placed on a commonly sharing platform in today's seemingly open, sublimated yet respectable realm. The exhibition reveals issues derived from the visuality, discourse and writing of text through the artists' intervention in various media – through the use of interpretive... this is also a satire on the plethora of theories. Here the image becomes the performative response to text, without simply being inclined to its visuality.

While the abstract works of Zhang Wei, Ma Kelu, Feng Guodong provide a calligraphic quality to text, their pursuit of imagery further deconstructs text, restoring text to its pictorial origin and its relationship between "image" and form; Zhang Peili's work Standardized Translation provokes the issue of new judgment in the coerced standard of the digital era.

If language is lowered to common understanding, then both artist Wang Wei and Liao Guohe's work share this quality on the surface, while their difference is, Liao Guohe's paintings adopt the quotidian elements, popular slangs to convey the semantic ambiguity of language through his visual representations, while the texts on his images disrupts the visual message; Wang Wei's Why, emphasizes on the functionality of text at its inception, the act of viewing as language has lost its initial functionality and propagating context.

This exhibition, "Text, Pause"encompasses artistic interventions in the context of visible and readable texts, and presenting alternative aspects of texts as a mean to semantics.

Tel: +86-10-6432-2620
Email: info@boersligallery.com
Web: www.boersligallery.com

  

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