艺术档案 > 展览档案 > 展讯发布 > [北京]宫岛达男个展“无形无常”

[北京]宫岛达男个展“无形无常”

2011-07-02 16:58:35 来源: 艺术档案网 作者:artda

 

《HŌTŌ》,LED、电线、不锈钢、铁架   ,高549 X直径208cm,2008年,装置现场,水户艺术馆现代美术中心

 LED, electric wire, stainless steel, iron frame,h.549 x d.208 cm,2008,Installation view at Contemporary Art Gallery, Art Tower Mito Courtesy of SCAI THE BATHHOUSE

《幻灭》,LED、集成电路、电线传感器,装置尺寸:高4.3 X 15 X 5.8米,1999年,装置现场,三得利美术馆,大阪

MEGA DEATH,LED, IC, electric wire, sensor Installation ,size h.4.3 x 15 x 5.8 m,1999,Installation view at Suntory Museum, Osaka Courtesy of SCAI THE BATHHOUSE 

 

展览名称:无形无常
艺 术 家:宫岛达男
展览时间:2011年7月16日- 10月8日
展览地点:UCCA大展厅


宫岛达男在UCCA的个展是一次对时间流逝以及生命的循环、死亡和再生的视觉探索。作为日本当代著名艺术家之一,宫岛达男创造出了由钢铁、镜面和闪烁着1-9数字的LED计数器组成的电子雕塑。这些经由艺术家精心设置的LED数字,使人们不禁感叹时间的流逝,并重新去体味时间与生命的意义。

UCCA的大展厅将展出宫岛达男的3组雕塑作品。其中,《HŌTŌ》是一个表面镶嵌着不同大小的LED计数器,看似珠光宝气的“宝塔”。《流动的时间》则通过视频投影,在三维空间中注入大小不一,彩色闪烁的数字。《幻灭》则是一个令人心生恐惧的作品,2400个LED显示器计数归零,代表着在20世纪集体遇难的受害者。

通过作品带出的巨大冲击力和精确的数字表达,宫岛达男用作品展示出庄严雄浑的生命交响曲,从最初,到死亡,再到超越。
   

Exhibition: Ashes to Ashes, Dust to Dust
Artist:Tatsuo Miyajima
Date: July 16, 2011 – October 8, 2011
Venue:UCCA Big Hall

Tatsuo Miyajima’s UCCA solo exhibition is a visual exploration of the passage of time and the Buddhist cycle of life, death and rebirth. One of Japan’s leading contemporary artists, Miyajima creates beautiful electronic sculptures composed of steel, mirrors and blinking LED counters that display the numerals between 1 and 9. The artist carefully choreographs his “LED gadgets” in a way that both heightens our awareness of time and provokes skepticism about the ways we perceive and experience time.

UCCA’s Big Hall will be the site for three of Miyajima’s sculptures: HŌTŌ, a bejeweled pagoda whose mirrored surfaces are inlaid with differently-sized LED counters; Floating Time, which uses projection video to flood a three-dimensional space with flashing numbers of various sizes and brilliant colours; and MEGA DEATH, a chilling installation of over 2400 LED displays counting up and down to zero, representing the collective victims of genocide in the 20th century.

With tremendous power and digital precision, Tatsuo Miyajima lays bare the whole majestic symphony of life, from inception to annihilation to transcendence. 

  

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