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方力钧(Fang Lijun)

2010-03-27 15:35:48 来源: artda.cn 艺术档案 作者:artda


方力钧

简历
方力钧,1963年12月4日 
生于河北省邯郸市

教育
1972 – 1980 邯郸铁路子弟学校
1980 – 1983 河北轻工业学校陶瓷美术专业
1985 – 1989 中央美术学院版画系

2013年,方力钧被聘为中国国家画院当代艺术研究中心主任

2018年,方力钧接任宋庄美术馆馆长

个展(选)
2010 《方力钧》,山西大学美术馆,太原,山西,中国
2009 《方力钧 碧海+蓝天》,比利菲尔德美术馆,比利菲尔德,德国
2009 《生命之渺─方力鈞創作25年展》《像野狗一样生活-1963~2008方力钧文献档案展》,台北市立美術館,台湾
2009 《方力钧个人作品展》,上海美术馆,上海,中国
2009 《今日方力钧!》, 今日美术馆,北京,中国
2009 《生命就是现在-方力钧个展》 印尼国家美术馆,雅加达,印尼
2002 《方力钧》汉雅轩,香港
2001 《方力钧》亚洲当代艺术,柏林,德国
1998 《方力钧作品展》STEDELJIK 博物馆,阿姆斯特丹,荷兰
1996 《方力钧作品展》

展览(选)
2010 《中国当代艺术三十年历程•绘画篇(1979-2009)》,民生现代美术馆,上海,中国
2009《第53届威尼斯国际艺术双年展中国国家馆--见微知著》,
       威尼斯军械库处女花园,威尼斯,意大利
2007《我们主导未来》-第二界莫斯科双年展特别计划,Ethan Cohen Fine Arts,莫斯科,俄罗斯
2003《中国当代版画》大英图书馆与木板基金会联合组办,英国伦敦大英图书馆,伦敦,英国
2002《方力钧/约尔格•伊门道夫》 上海现代画廊,上海
1999《开放的边界》 48届威尼斯双年展,威尼斯,意大利
      《第五届亚洲美术展》 福冈美术馆, 福冈, 日本
1993《东方之路》 威尼斯双年展, 意大利
1991《方力钧 • 刘炜作品展» 北京
1984《第六届全国美展》 广州

Fang Lijun
Dec.4, 1963 Bone in Handan, Hebei Province
1972 - 1980 Railroad School, Handan, Hebei province
1980 - 1983 Hebei Light Industry College, Ceramic Art Studies
1985 - 1989 Graduate at Print Dept. the Central Institute of Fine Arts, Beijing
April 20, 2004 Visiting Professor of Jilin College of the Arts School of Visual Arts
2005  Part-Time Professor of Hebei Training University Art College

SOLO EXHIBITIONS:
2004   Fang Lijun, Prüss & Ochs Gallery, Berlin, Germany
Fang Lijun, gravures sur bois (translation wood cuts!) Galerie de France, Paris, France
2002   Fang Lijun, Hanart T Z Gallery, Hong Kong
Fang Lijun, Between Beijing & Dali, Woodcuts & Paintings 1989-2002, Ludwig Forum für Internationale Kunst Aachen
2001 Fang Lijun, New Woodcuts & Paintings, Prüss & Ochs Gallery (former Asian Fine Arts), Berlin
2000   Fang Lijun, Soobin Art Gallery. Singapore
1998   Fang Lijun, Stedeljik Museum, Amsterdam, the Netherlands
   Fang Lijun, Galerie Serieuse Zaken. Amsterdam, the Netherlands
   Fang Lijun, Max Protetch Gallery, NYC, U.S.A.
1996 Fang Lijun, Human Images in an Uncertain age. the Ja Foundation. Tokyo, Japan
1995   Fang Lijun, Galerie Bellefroid, Paris, France
   Fang Lijun, Galerie Serieuse Zaken, Amsterdam, the Netherlands

SELECTED GROUP EXHIBITIONS:

2005   <<Mahjong>> Bern Museum, Switserland
   New Work/New Acquisitions, MOMA, New York, U.S.A.
2004   East wind, Museum Franz Gertsch, Switzerland
Dreaming of the Dragon’s Nation: Contemporary Art Exhibition from China, Ministry of Culture of People's Republic of China & Department of Arts, Sport and Tourism of the Republic of Ireland, Irish Museum of Modern Art in Dublin, Ireland.
CHINA, THE BODY EVERYWHERE?, Museum of Contemporary Art, Marseilles,France
2003 Chinese Printmaking Today, British Libtary & Muban Foundation, British Libtary,London, U.K.
From China with Art, National Gallery, Jakarta, Indonesia
DER REST DER WELT, Neuffer Am Park, Pirmasens, Germany
Alors, la Chine, Pompidou Center, Paris
2002  Image is Power: Wang Guangyi, Zhang Xiaogang, Fang Lijun, He Xiang Ning Art Museum, Shenzhen
 Fang Lijun & Jörg Immendorff, Shanghai Contemporary Albrecht, ochs & Wei, Shanghai,  Künstler helfen alten und neuen Meistern, Auktion, National Galerie Berlin, Germany
 Guangzhou Triennial 2002, Guangdong Museum of Art, Guangzhou
2001    Millennium Portrait of China, Bremen City Gallery, Bremen
   Towards a New Image: 20 Years of Contemporary Chinese Painting.
Beijing: National Art Museum, Shanghai: Shanghai Art Museum,
Chengdu: Sichuan Art Museum, Guangdong: Art Museum Guangzhou
China Art Now!. Singapore Art Museum, Singapore
In Holz Geschnitten-Dürer, Gauguin, Penck und die Anderen. Museum Bochum, Germany
2000  Portraits de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux, France
1998-2000  Inside Out, Asia Society, New York, MoMA San Francisco, Seattle, Monterey
1999    48th Venice Biennale, Venice
1998    Black & White, Chinese Contemporary, London
Double Kitsch: Painters from China, Max Protetch Gallery, New York
1996-97 CHINA!, Kunstmuseum, Bonn (travelling to Vienna, Copenhagen and Warsaw)
1996    4 Points de Rencontre, Chine, 1996, Galerie de France, Paris
Begegnungen mit China, Ludwig Forum, Aachen, Germany
New Collection of Commissioned works on the theme Hiroshima, Hiroshima City Museum of Contemporary Art
1995  Visions of Happiness - Ten Asian Contemporary Artists, The Japan Foundation, ASEAN Cultural Centre, Tokyo
Unser Jahrhundert, Ludwig Museum, Cologne
First Kwangju Biennial, Kwangju, Korea
Couplet 4, Stedelijk Museum, Amsterdam
Avant Gardes Artistiques Xineses, Barcelona
1994-5  Fourth Asian Art Show, Fukuoka Art Museum, Fukuoka/Setagaya Art Museum, Tokyo
1994    Welt-Moral Kunsthalle, Basel
Chinese Contemporary Art at Sao Paulo, 22nd International Biennial of Sao Paulo
New Chinese Art, Hanart TZ Gallery, Taipei
1993-94  China Avant Garde, Haus der Kulturen der Welt, Berlin (also Kunsthalle, Rotterdam, Museum of Modern Art, Oxford, Kunsthallen Brandts Kloedefabrik, Odense, Denmark)
1993    China New Art, Post-1989, Hong Kong Art Centre, Hong Kong
Mao Goes Pop, Museum of Contemporary Art, Sydney
Passagio ad Oriente, 45th Venice Biennale, Venice
New Art From China Post-1989, Marlborough Fine Art London
1992-93  New Art From China/Post Mao Product, The Art Gallery of New South Wales, Sydney, Queensland Art Gallery, Brisbane, City of Ballaart Fine Art Gallery, Ballaart, Canberra School of Art Gallery, Canberra
1992  Fang Lijun and Liu Wei Oil Painting Exhibition, Beijing Art Museum, Beijing
1989    China/Avant Garde, China National Gallery, Beijing
1984    Sixth National Art Exhibition, Guangzhou

艺术家作品


方力钧 2005.2.2  雕塑局部06 水晶树脂 

方力钧 2007.8.5  雕塑 钢,铁,玻璃钢,油彩等

方力钧 雕塑局部 硅胶,压克力等

方力钧_2008.6_布面油画_50×70cm×9_2008

日月同辉,2011.4,120×270cm

2011正在进行中的作品,400×875cm,布面油画

方力钧的创作的基础是基于个人对巨大社会背景下的普遍人性的观察和思考,那种本能地不愿意与社会惯习保持一直的态度一直存在于他的艺术表达中。他表现生命的渺小、琐屑、无聊的状态,不过是有意无意地对隐匿于社会现实背后的普遍意识和一般观念的反抗。从早期绘画作品到新近创作的众多雕塑作品,我们都可以看到一条属于艺术家特有的线索,那就是艺术家以自我对现实及存在的体认,来描绘最真实的生命存在,其中包括生命的来源与未来。这样,他在不同时期所勾画出来的生命状态就很自然地与历史与社会的语境发生了联系,他用自己创造出来的形象——无论是早期的头像还是以后的具有生命寓意的昆虫——来给出人的境况,即便艺术家使用了通俗的形象,也可以传达出对生命虚假意义给予的质疑。在很多情况下,艺术家经历的思想变化和成熟以及对生命的思考都是通过那些普普通通的图像和造型体现出来的,可是在方法和趣味上,正好与人们的习惯形成冲突,所以,无论批评家用什么术语去概括他的艺术,都无法遮蔽艺术家对生命问题的难以摆脱的诘难与美学困惑,这正是方力钧艺术的意义。

 

 

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