艺术档案 > 个案+新青年 > 新青年 > 周依(Zhou Yi)

周依(Zhou Yi)

2011-08-01 11:54:08 来源: artda.cn 艺术档案 作者:artda

周依(Zhou Yi)

周依是一位年轻的中国艺术家,自10岁起居住在罗马,并在伦敦及巴黎求学并获得政治学及经济学学位。精通多国语言的周依今年迎来了事业的第十个年头,其作品在上海双年展,威尼斯双年展以及圣丹斯电影节等重大活动上展出。

2011年,周依被娇韵诗Clarins选为历史上第一个艺术家形象大使来支持美容品牌。近日,周依还为意大利眼镜品牌Persol导演并制作了一部短片,获得极大反响,同时她还出演了Persol的平面广告。居住在上海以及巴黎的周依目前还担任了土豆网的艺术总监以及新浪时尚艺术顾问的职务。

作为多媒体艺术家的感想:

我们生活在一个多媒体的世界,机器、智能手机、软件都以令人晕眩的速度汇聚到一起。周依相信人类、艺术家们也应该把他们各式各样的能力集合在一起,因此她也把自己的工作投入到许多不同的环境及媒介当中。
 
最近,法国高级定制珠宝品牌Gripoix的创意总监 Marie Keslassy任命周依为Gripoix品牌Capsule合作系列首饰的艺术总监。其第一个系列名为Pineapple’s Secret“菠萝密”。

个展
2012
“时光如梭,万事皆过;思君之心,今犹未变。”,Shintaro Akatsu画廊,日本东京
地狱·重生,RH画廊,美国纽约
雕塑迷宫•周依近作,汉雅轩画廊,中国香港

2011
周依的世界,第54届威尼斯双年展,意大利威尼斯

2010
耳桥与伟大,对比窗艺廊,中国上海
我是你的幻象,20 Hoxton Square Project,英国伦敦
霸权还是生存,对比窗特别空间,中国上海

2009
周依:艺术亚洲/跨越展厅, 巴塞尔迈阿密艺术博览会,美国,巴塞尔艺术博览会,瑞士
耳桥,本色美术馆,中国苏州

2008
天堂, 入选圣得西电影节竞赛环节,在布鲁克林音乐学院放映,美国纽约
My heart laid bare,Ooi Botos画廊, 中国香港
倾听,土地,心灵,在Majestic Crest放映,美国洛杉矶
倾听,土地,心灵,Jérôme de Noirmont 画廊,法国巴黎
1280座塔,巴黎凡尔登广场,法国巴黎

2007
天神下凡,在64届威尼斯国际电影节放映, 意大利威尼斯
Il passato è remoto anzi sarà sempre presente, a sculpture,v ideo, ring,Nicola Ricci画廊,意大利彼得拉桑塔

2006
神曲三章:“地狱,炼狱,天堂”, 韦奇奥宫,意大利佛罗伦萨

2005
梦境,Jérôme de Noirmont 画廊,法国巴黎

2004
Mountaintank 行为艺术表演,Deitch Projects,美国纽约

2002
“Y_游戏”N oirmont Prospect, 法国巴黎

群展
2012
“French Edges 法国边缘”群展,第十七届波士顿法国电影节,波士顿美术馆,波士顿,美国[4]

2011
“溪山清远”第五届成都双年展,中国四川
“Melodymania” ,RH 画廊,美国纽约
“中国当代艺术三十年之——中国影像艺术(1988-2011)”大型群展,民生美术馆,中国上海
巴黎国际当代艺术博览会FIAC短期电影院活动,法国巴黎

2010
上海双年展,上海美术馆,中国上海
第13届OPEN,国际雕塑与装置展,意大利威尼斯
潮流2010影像展, 美国圣达菲
乔尼费里奇: 欢迎来到22世纪,Testori基金会,意大利米兰
中国当代艺术群展,对比窗艺廊,中国上海

2009
Vraoum! 漫画和当代艺术展, 红屋,法国巴黎
大世界,中国近期艺术,芝加哥文化中心,美国芝加哥

2008
第三届广州三年展, 广州博物馆,中国广州
探索当代边界,意大利 文堤米利亚

2007
巴黎国际当代艺术博览会,Jérôme de Noirmont 画廊,法国巴黎
典型,大皇宫,法国巴黎
奇妙的现实主义,Not画廊,意大利那不勒斯
早安巴比伦,玛蕊乐画廊,中国北京

2006
海,白色空间,荷兰阿姆斯特丹
后迁,意大利都灵
凯布朗利博物馆,法国巴黎

2005
中国当代艺术双年展,法国蒙批利埃
城市的未来,法国南希
Sonar电子音乐节,西班牙巴塞罗那

2004
上海生机, 上海当代艺术馆,广东当代艺术馆,中国
《世代影像》摄影展,法国巴黎

2003
永远爱我和永远别爱,与东京“疯马”合作,法国巴黎
一个图符的40个角度,Spazio Consolo,意大利米兰
Hermitage,俄罗斯,斯莫斯科
“超凡”,巴黎国际当代艺术博览会,Jerome de Noirmont画廊,法国巴黎
中国制造,Daniel和Florence Guerlain当代艺术基金,法国
地拉那双年展,阿尔巴尼亚地拉那
DVD介绍,索尼梦工厂,法国巴黎
关于爱,卢森堡赌场-当代艺术论坛,卢森堡

2002
第一视觉,Passage du Retz,法国巴黎
另一个世界,国家艺术与历史博物馆,卢森堡
惠特尼双年展
这不是电影,Fresnoy工作室,法国里尔

艺术家作品

空气心

65th-venice

拍摄现场

拍摄现场

拍摄现场

1280塔

关于Seana ,数字化三维视频动画,2005年,时间:06mn 05秒

化身,2007年 35mm和高清视频

黑色水果,视频和三维动画,2005,时间:03mn 10秒

有一天,数字化三维视频动画,2004年,时间:03mn 10秒  

欧莱雅爱和起重机

“欧莱雅爱和起重机”是一个大理石板材雕塑火山石,由波德莱尔的诗激发了题为“倾慕与国家报起重机”。

天堂喷泉,树脂   53 × 72厘米,2006年

依对依,数字视频,2004,时间02mn 30秒

炼狱山,黑色大理石来自比利时,2006

天堂喷泉也相继纳入听见,地球,心脏三维动画

斯特隆波里, 2006年10月

《迷宫 Labyrinth》 3D动画,2011年

[视频]迷宫 Labyrinth
http://www.tudou.com/programs/view/yc2G7Uo_Wc4/?resourceId=0_06_02_99

3D动画“Labyrinth”(迷宫)是2010年9月开始制作,2011年6月完成的作品,首次亮相与2011年6月周依于威尼斯双年展举办的个展中。由于作品创作于艺术家在东西方国家游走的时期,许多不同的东西方元素与象征在该作品中出现。与之前的作品一样,“迷宫”的构思与创作都基于一种无意识。3D镜头从一个固定点围绕着逐渐增强的轨道进化旋转。随着画面的一次次旋转,观众越来越无法控制自己的各个感官。

该作品是关于对于未来世界的新启示录:“所有的事物,战争或者和平,都有一个变化的滤镜,比如造成速度变化的滤镜,造成重力变化的滤镜,导致我们看到的自然事物和普通事物也就不同了。”

动画的开头及结尾同样有一个循环的模式:鲨鱼将一个个人从嘴里吐出,在结尾处,鲨鱼如梦境一般地变为鲸鱼。鲸鱼也释放出一个个人,最后人类漂浮到海面上。来到海面之后,每个人物的嘴中都有火焰点燃。星星点点的火,还有人,在海上漂浮,这是人类信任的希望抑或是质疑。

Labyrinth is about new apocalypse. All the war and peace imageries we've seen on the net, newspapers, Hollywood movies with a new filter. Every character is created on the computer from scratches. Every item has a distortion and variation filter such as gravity variation, speed variation which makes natural and daily elements look like different.

Labyrinth is a 3d animation video that has been created from September 2010 to June 2011. It has been first shown at Venice Biennale in June where Yi had a collateral solo exhibition. The work has been created through a time span where the artist transitioned from the west to the east, therefore, many signs and symbols of the east and west unconsciously merged. As many of the previous works, this work is written and created on the basis of the stream of unconsciousness. The 3d camera pattern evolves and rotates in a crescendo path from the same standpoint. Each turning spin, the viewer seems to lose more and more the control of his senses. The beginning and the end also has a circular mode: sharks spitting men and the end it s the same dream like sequence with sharks being replaced by whales. The whales also release men, many men float towards the sea surface. During its emerging trajectory towards the surface, a fire gets lit up through each character's mouth. Many fire, men float onto the sea, a hope or a question mark about humanity's faith.

Biography

Yi Zhou is a young Chinese artist who has lived in Rome since the age of nine.  She studied between London and Paris and earned degrees in Political Science and Economics.  Yi Zhou is a polyglot artist who uses styles she has inherited from both her Chinese heritage and European upbringing to create works that support an East/West collaboration.  She is celebrating her 10-year career this year, a career that has included work shown at the Shanghai Biennale, the Venice Biennale and the Sundance Film Festival.

Living between Paris and Shanghai, Yi Zhou creates large multimedia installation artworks that blend film, digital animation, photography, sculpture, painting, drawing, and contemporary music composition. Her works explore the realm of hyper-realism and neo-realism: on the one hand, she derives visual and tangible forms from the imagination and dreams, while on the other hand, she gives a surreal aspect to nature itself.
Her work is a complex synthesis of imagination, literature, mythology, philosophy and new technology and is impregnated with Chinese and Mediterranean culture. Her works introduce the disturbing magic of both virtual and supernatural characters and landscapes as well as the ephemeral reality of life, love, and death while using the symbolic language of the unconscious.

Blending ancient expressive methods, such as sculpture in marble and 35mm film, with extremely technologically advanced ones, such as 3D animation, Yi Zhou presents a vision of life, transcending both time and space, inflected with irony and wit.

Yi Zhou recently directed a much-hyped short film for Persol that was featured in Persol’s ad print campaign.  The short film highlights the intrinsic beauty found within the details of life.
Recently, Marie Keslassy, creative director of the French couture jewelry house Gripoix, appointed Yi Zhou as art director for a capsule collection line.  The first collection is entitled “Pineapple’s Secret.”  The jewelry drew inspiration from pineapples, with pieces reflecting various aspects of fruit.  Yi Zhou found that a slice of pineapple or the prickly skin of a pineapple could be transformed into beautiful pieces of art.
Yi Zhou is a modern-day Chinese Hitchcock and Cindy Sherman; she is from the Twitter/Instagram and Tumblr generation, an image maker and muse, switching from the front and the back of the camera. Currently, Yi Zhou is also Tudou.com’s (Chinese would-be Youtube) art director and serves as art and fashion advisory member at Sina.com (which owns Chinese twitter).

ARTIST STATEMENT:
1. The work is about the construction, deconstruction, disintegration, re-creation, transformation and the reification of simultaneous and parallel worlds.
2. The New worlds are a synthesis of the ancient, the present, the imaginary and the sub-conscious world of dreams
3. The vision that inhabits the work is expressed through the layering of all kinds of media; everyone is the subject, from the obscure to the infamous. Its content is both the sum and the details of human activity.
Yi Zhou has held solo exhibitions at the Galerie Jérôme de Noirmont, Paris, and live art performances at Deitch Projects, New York. Many of her video works have also been consecutively selected by the Venice Film Festival and Sundance Film Festival. In 2011, she was also invited to show her video works at the FIAC outdoor project in collaboration with the Louvre and Fondation Ricard. In December 2011, Yi Zhou has also done a 15 minutes' piece that she has written and directed for United Nations starring Jackie Chan and Clotilde Courau.

  

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