艺术档案 > 艺术教育 > 当代设计策展课程︱系列讲座之“走向一种新的策展实践”


2019-04-08 20:42:41 来源: 中央美术学院设计学院 作者:


Curating Contemporary Design Lecture Series

Towards a new practice of curation


Co-curation, digital curation, event curation, biennale curation, urban curation, conference curation, and yes, also the curation of some good old gallery exhibitions. On the one hand to be proudly presented as a track record. On the other, much more interesting hand, a journey of anxious challenging the scripts and re-inventing the narratives.

▲ Interior Transports 2001

▲ Re-set. Dutch entry to the Venice Biennale 2012, with moving curtain.

▲ Dutch entry to Venice Biennale 2012

▲ Machine Hall, Value Factory 2013

▲ Chinese input to Finnish Entry Venice Biennale 2014

▲ Wayfinding Value Factory

▲ idem

时间:2019/04/08 (周一) 18:30-20:30

Date: 2019/04/08 (Monday) 18:30-20:30
Location: Lecture Hall, Building No.7, CAFA
Host: School of Design, CAFA



宋协伟,中央美术学院设计学院院长、教授、博士生导师、中央美术学院学术委员会委员、中央美术学院研究生院副院长、教育部设计学科指导委员会副主任、中国美术家协会理事、中国美术家协会工业艺委会副主任、国际平面设计师联盟 (AGI) 成员、中国美术馆特聘专家、国家留学基金委艺术类评审委员、文化部职称评审专家。他致力于知识持续更新的艺术实践者和设计推动者,关注设计新学科、启迪学术新思想的创新教育者,始终以全球化的思维视角、国家的顶层战略和社会化问题的系统研究推进着艺术设计的可持续发展。

Academic Advisor: Xiewei Song
Xiewei, SONG (1963-Present), Dean, Professor and PhD Academic Supervisor of School of Design at Central Academy of Fine Arts (CAFA). Vice Dean of graduate school at Central Academy of Fine Arts (CAFA). Member of Academic Council at CAFA, Deputy Director of the Design Discipline Steering Committee of the Ministry of Education, Director of the Chinese Artists Association, Deputy Director of the Industrial Art Committee of the Chinese Artists Association. He is also known as Committee Member of Alliance Graphique Internationale (AGI), Distinguished Expert of National Art Museum of China, Appraisal Member of China Scholarship Council (Fine Arts) and Professional Title Evaluation of Ministry of Culture of the People’s Republic of China. SONG has been dedicating himself to the constant renewal of art practices and promotion of design with emphasis on new disciplines of design, enlightenment of innovation on novel academic ideas, having promoting the sustainable development of art design from global perspectives, top-rank national strategies and social issues.

主讲人:奥雷·伯曼 (Ole Bouman)
奥雷·伯曼 (Ole Bouman) 自2015年1月起出任深圳设计互联 (Design Society) 馆长。他曾任2013年第五届深港城市建筑双城双年展 (UABB) 策展人及创意总监。他曾与雷姆·库哈斯 (Rem Koolhaas)、马克·维格利 (Mark Wigley) 合办《Volume》杂志并任职主编,并于2006年至2013年间任荷兰建筑学会 (Nai) 馆长。他的著作包括《看不见的建筑》、《无处不在的中国》和《后果建筑》。他曾参与策划2000年第三届欧洲宣言展 (Manifesta 3)、以及参与在深圳、威尼斯及圣保罗举办的大型建筑双年展展览。他曾于美国麻省理工学院 (MIT) 及香港大学教授建筑与设计。

Lecturer: Ole Bouman
Ole Bouman, former Creative Director of the Urbanism/Architecture Bi-City Biennale Shenzhen (UABB 2013-14), was appointed Founding Director of the new design hub Design Society in Shenzhen (2015), to benefit from his multiple experiences in creative leadership. It opened in December 2017. Past roles include editor-in-chief of Volume (2005-2007), a magazine he co-founded with OMA and Columbia University and director of the national Netherlands Architecture Institute (NAi) (2006-2013). He worked as a curator for Manifesta 3 (2000), and the architecture Biennales of Shenzhen, São Paulo and Venice. His publications include The Invisible in Architecture (co-author, 1994), Ubiquitous China (2006) and Architecture of Consequence (2009). Bouman taught architecture and design at the Massachusetts Institute of Technology and the University of Hong Kong.


课程特邀讲师:蒋华、Dr Jana Scholze、Dr Sarah Teasley、费俊、孙华、刘治治、刘宏剑、胡国剑


Curating Contemporary Design Course Outline
Course Leader: Xiewei Song
Lecturer: Xiewei Song, Tianchong Xue, Naiyi Wang
Guest Lecturer: Jiang Hua, Dr Jana Scholze, Dr Sarah Teasley, Fei Jun, Sun Hua, Liu Zhizhi, Liu Hongjian, Hu Guojian

Taught by leading curators and designers within the field, the course of Curating Contemporary Design offers an opportunity for students to learn theoretical and practical parameters of curating exhibitions. By including a contemporary curatorial brief exploring a key aspect of 21st-century curatorial practice, this course examines the working processes of organizing exhibitions within the field of contemporary design and the context of design institutions. The aim is to familiarize students with all aspects of exhibition making, ranging from conceptual development to the physical realization of an exhibition. Students will be equipped with the creative and practical skills necessary to curate live projects and build their own professional profile.

Furthermore, with an aim to draw a focus on alternative modes of curatorial practice and the expanded notion of what constitutes an exhibition, this course traces the historical transformation (key moments) of alternative formats of curating, whilst interrogates what is precisely curatorial, within the ever-expanding parameters of curatorial practice in recent times. This is combined with a historical and theoretical framework interrogating the concepts of ‘Exhibition-making’, ‘Curating’ and ‘the Curatorial’.

Image courtesy of Ole Bouman

Visual Design: Gong Yi




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