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[北京]观者权利:陈丽华艺术展

2017-11-19 09:53 来源: artda.cn 艺术档案 作者:artda


观者权利:陈丽华艺术展

策展人:顾振清  
艺术总监:杨荔
执行策展:李娇妮
开幕:2017年11月19日(周日)下午4:00  
展地:798荔空间 - 北京酒仙桥路2号798艺术区中二街D06-6
展期:2017年11月19日—12月18日
开放时间:周二至周日10:30 — 17:00 
联系方式:www.li-space.com ; info@li-space.com ;+86-10-59789542
合作媒体:艺术档案 www.artda.cn

 

观者权利:陈丽华的新语境

文︱顾振清

观者的权利,是要认知、理解艺术作品内涵、本质和价值,而不是仅仅观看、迷恋、魅惑于艺术的表象,浅尝辄止,得形忘意。当代艺术作品中的形式语言,要观者通过表象看内涵、透过现象看本质,借由能指看所指,以致捻花微笑,悟道见性。图像与图式,符号与隐喻,皆指归义理。但这种艺术的形式语言本身只是善巧的符号,并不等于义理。所谓义理,无非是人类普遍具有的对于宇宙规律、自然法则、存在意义、精神真谛的不断认知和不断探索,以及对于公正、公平、关爱、信仰、创造、知识生产等永恒价值的不断追求。

《观者权利:陈丽华艺术展》 是一个有模有样的展览,但展览上却没有像模像样的“作品”,看不到一件常规的、常识化的“作品”。陈丽华呈现的新语境,要点在于既不即图像,又不离图像。艺术家将超市的鸡蛋蛋托、纸上水墨笔法练习文本等介乎现成品与艺术品之间的特定表达媒介变为展览的主体,并加入墙纸铺陈、视频转换、灯光效果、观者互动等环节,把表达媒介的抽象因素不断扩张、扩散,从而淡化、虚化表达媒介自身的作品感。

陈丽华深知图像以及构建图像的形式语言,虽不了意,却不能缺少。形式语言作为渡河之舟,指月之指,可以让观者认知、理解并领悟的艺术的真谛、义理。但是,艺术家又不期望观者执舟而忘渡、执指而忘月,执着于名相而不能通达实相。因而,以观者权利为展览主题,成为陈丽华一种不按常理出牌的新的艺术诉求。展览上,暗空间的沉浸与体验,作品感的虚化和淡化,旨在阻断阅读惯性、打破思维定势,还观者以更多自我决断的权利。

 

▼ 部分作品现场

 

 Viewer’s Right:Chen Lihua solo Exhibition

Curators: Gu Zhenqing  
Art Director: Yang Li  
Executive Curators:Li Jiaoni
Opening: 4pm, Sunday November 19, 2017
Location: 798 Li Space (D06-6 Zhong Er Jie, 798 Art District, No.2 Jiuxianqiao Lu, Beijing)
Exhibition: November 19 – December 18, 2017 
Gallery Opening Hours: 10: 30-17: 00, Tuesday - Sunday
Contact: www.li-space.com; info@li-space.com; +86-10-59789542
Media Partner: www.artda.cn 

 

Viewer’s Right : Chen Lihua’s New Discourse

Curator: Gu Zhenqing

The viewer’s right is to resonate and to understand the art’s inner contents and values, not just to see or indulge to the appearance of art. The languages of contemporary art are to invite the viewers to look into the contents through the outside forms, to understand the representation, to go through a process of enlightening. Iconography and forms, symbols and metaphors, all lead to principles. However, the artistic languages are just skillful symbols which do not equal to principles. The new discourse presented by Chen Lihua is not purely iconography, but it is not completely away from iconography. She deeply understands the necessity of iconography and the languages to form iconography. The form language is similar to a boat for crossing a river or the fingers pointing to the moon. It can help the viewers to understand and resonate with the meaning and principles of the arts. However, artists do not hope the viewers forget to cross the river or look at the moon, blinded by the appearance and fail to appreciate the inner contents. Therefore, by presenting an exhibition on the theme of viewer’s right, Chen Lihua has demonstrated a unique artistic pursuit. The immersive dark space and the illusive arts all intend to interrupt the usual viewing approach and change the orthodox ways of thinking, thus giving the viewers more power to determine by themselves. 

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