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2017卡塞尔文献展作品︱雅典

2017-06-17 12:21 来源: 策展人 作者:


Abel Rodríguez
, Ciclo anual en las altas terrazas de la selva tropical (Annual cycle in the high terraces of the rainforest, 2007)
ink on paper
50×70cm

Andreas Ragnar Kassapis
Object 32 (2016)
oil on wood panel
40×50×5cm

Apostolos Georgiou
0100 (2005), acrylic on canvas
210×230 cm
photo: Boris Kirpotin

Ashley Hans Scheirl
Glorious Restraint, from the series “Painter’s Parody” (2016)
acrylic and oil on canvas
125×175 cm

 

Christos Papoulias
The House of the Divorced (2014)
colored pencil and graphite on paper
21 × 27 cm (framed)
courtesy Christos Papoulias, Locus Athens

 

David Harding
Portrait of Samuel Beckett (From a Photograph by Jane Bown) (2016)
graphite on paper
30 × 21 cm

David Schutter
L LB dc 3 (2013)
chalk and crayon on paper
34×24 cm
courtesy David Schutter and Rhona Hoffman Gallery, Chicago

 

Edi Hila
Boulevard 3 (2015)
oil on canvas
94.5×143×3 cm
photo: Blerta Hoçia

 El Hadji Sy
Les pêcheurs (Fishermen, 2016)
acrylic, mixed media, and string on canvas
2.1×3.5 m, photo: Mamadou Touré dit Behan

 

El Hadji Sy
Les pêcheurs (Fishermen, 2016)
acrylic, mixed media, and string on canvas
2.1×3.5 m
photo: Mamadou Touré dit Behan

 

Ganesh Haloi
Untitled (2016)
tempera on paper, mounted on board
47×72.5 cm
courtesy Ganesh Haloi and Akar Prakar, Kolkata

 

Gordon Hookey
MURRILAND! (2016, detail)
oil on canvas, 2×10 m
© Gordon Hookey/VG Bild-Kunst, Bonn 2017, courtesy Gordon Hookey and Milani Gallery, Brisbane
photo: Sam Cranstoun

 

K. G. Subramanyan(1924–2016)
Ethiopian Nativity (1987)
watercolor and oil on paper
81×61 cm

Lala Rukh
1985 Women’s Action Forum calendar
offset print
61.5×40.5 cm

 

María Magdalena Campos-Pons and Neil Leonard
La ira de Chango and Zeus I and II (The wrath of Chango and Zeus I and II, 2016),
recycled car metal, ink, acrylic and matte medium, watercolor, and pencil on paper
101.5×73.7 cm each

 

Miriam Cahn
burkazorn (2010)
oil on canvas
78×46 cm
photo: Etienne Frossard

 

Mounira Al Solh
four drawings from “I Strongly Believe in Our Right to Be Frivolous” (2012–17), ink, graphite, marker, paint, and thread on paper
30×21 cm each
courtesy Mounira Al Solh and Sfeir-Semler Gallery, Beirut/Hamburg

 

Nathan Pohio
In a Dream of 200,000,000 Horses (What Horses Teach Us. Willow Creek Press calendar 2016) (2016)
ceramic pigment on vinyl
82 × 318.5 × 4 cm

 

Nilima Sheikh
A Pastoral (Reading Agha Shahid Ali 16) (2003)
tempera on wasli paper
71×40.5 cm

 

Nomin Bold
Labyrinth game (2013)
gouache and gold leaf on cotton
160×102 cm
courtesy Nomin Bold and Queensland Art Gallery and Gallery of Modern Art, Brisbane

Pélagie Gbaguidi
Spectrum of Homo mercantilis (2016)
colored pencil on paper
29×21 cm

 

Pélagie Gbaguidi
Spectrum of Homo mercantilis (2016)
colored pencil on paper
29×21 cm

 

Rainer Oldendorf
Lost in Prevelakis Hall, Polytechnion, Athens (2016)
whiteboard marker on paper
100×70 cm
courtesy Rainer Oldendorf and Erna Hecey Gallery, Luxembourg

  

Rainer Oldendorf
Lost in Prevelakis Hall, Polytechnion, Athens (2016)
whiteboard marker on paper
100×70 cm
courtesy Rainer Oldendorf and Erna Hecey Gallery, Luxembourg

 

Rosalind Nashashibi and Nashashibi/Skaer
In Vivian’s Garden (2016)
oil on canvas
60×90 cm
courtesy Rosalind Nashashibi and Murray Guy, New York

  

Ruth Wolf-Rehfeldt
In Vain (1972), carbon copy of typewriting
29.5×21 cm
courtesy Ruth Wolf-Rehfeldt and ChertLüdde, Berlin

 

Sámi Artist Group
Keviselie/Hans Ragnar Mathisen
Máná niehku—Stállu (A child’s nightmare—Stállu, 1974)
lithograph, after a 1969 watercolor
28.2×36.7 cm

 

Sámi Artist Group
Britta Marakatt-Labba
 Managing (2013, detail), embroidery
38×38 cm

Sámi Artist Group
Synnøve Persen, The Flag (1977)
silkscreen ink on paper
image: 30 × 44 cm, overall: 56.7 × 68 cm

 

Stanley Whitney
James Brown Sacrifice to Apollo (2008)
oil on linen
183×183 cm
courtesy Stanley Whitney; Team Gallery, New York

  

Vija Celmins
Untitled (Dark Sky 1) (2016)
mezzotint
40.6×38.1 cm

  

Gennadius 图书馆
雅典

 

使者:后历史天使
Envoy: Angel of Post-History By Ross Birrell

 

Bonita Ely 作品
Plastikus Progressus Memento Mori
ASFA ©Stathis Mamalakis

 

 

工作室项目Studio14 :Aboubakar Fofanad
纤维作品

 

 Georgia Sagr
《Attempt.Come.》
行为艺术
时长20小时
2016年
图片来源:Stathis Mamalakis

 

Marie Zygouri
《The Round-up Project》
1979-2017年
图片来源:iefimerida.gr

 

Abounaddara
《来自叙利亚的不同声音》静帧
图片来源:e-flux Conversations

 

Beau Dick 面具作品

 

Rasheed Araeen《 Shamiyaana——Food for Thought:Thought for Change》
图片来源:Yiannis Hadjiaslanis

《Shamiyaana-食物换取思考:思考改变》是英国籍巴基斯坦裔艺术家Rasheed Araeen的作品,他们在雅典的广场上设立了一个帐篷并供应食物。这顶帐篷吸引到远离当代艺术领域的雅典人和叙利亚移民,给予大家一个共享空间,分享一顿美食、一场谈话。

 

Rebecca Belmore作品
Biinjiya iin Onji
菲洛帕波山 ©Fanis Vlastaras

 

Hiwa K作品
Pre-Image
ODEION ©Mathias Voelzke

 

贝思·斯蒂芬斯和安妮·斯普林克尔
拥抱雅典
雅典当代艺术博物馆 ©Stathis Mamalakis

Beau Dick作品
22个面具装置
雅典当代艺术博物馆 ©Mathias Voelzke

 

德国骑手Tina Boche和匈牙利骑手Zsolt Szabo走在艺术之路上

周日,艺术家罗斯·比雷尔(Ross Birrell)启动了《爱马仕的过境》(The Transit of Hermes),12位骑士将用100天时间,跨越3000公里路程,从希腊雅典出发,一路向北,经过马其顿、塞尔维亚、克罗地亚、斯洛文尼亚、奥地利,最终来到德国卡塞尔,跨越申根和非申根地区,在欧洲地图上画出一条对角线。

这个行动的灵感来源于从布宜诺斯艾利斯到纽约的10000英里马术之旅的传记,瑞士籍阿根廷裔骑手Aimé Félix Tschiffely于1925年至1928年完成了这一旅程,这是一次史诗般的耐力之旅,跨越了边境和战区,也是无数的当代迁徙的寓言。

在那个时代,希特勒在德国掌权,而今,特朗普要在边境修墙。Tschiffely的史诗之旅时至今日依然能够引起世人共鸣。

 

王兵《15小时》展览现场,影像装置,15小时50分钟 ©第14届卡塞尔文献展(希腊)

 

王兵《15小时》(静帧画面) © Wang Bing 2017

 

王兵《15小时》(静帧画面) © Wang Bing 2017

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